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Körfokus Extra- subscription for choirs looking for more advanced repertoire.

Jan Yngwe: Stilla natt–fantasi för kör a cappella

At upcoming Christmas concerts, perhaps a new version of Stilla natt /Silent Night might come in handy? Jan Yngwe has composed five beautiful minutes for SATB with an upper part for a soprano soloist. Jan's preface is well worth reading and at the end of the piece he has included a text reading of Hans Näslund’s Poem No. 17 – Shall it be lost?




Ann-Sofi Söderqvist: Crossroads14341-Crossroads-(2).gif

“Say, what are you bringing to the crossroads? Whom do you want to be?” asks lyricist Malin Hülphers in this tribute to the humankind. The big band leader Ann-Sofi Söderqvist creates a sonorous and rhythmic texture that culminates in a tender, unison “We are human beings. We are one”. Crossroads for six-part choir a cappella was commissioned by Lone Larsen and the ensemble VoNo and was included in VoNo’s stage performance I Am Like Many.



Karin Rehnqvist: Wiegenlieder im All14330-wiegenlieder-im-all.gif

Karin Rehnqvist was sitting in her garden humming and a bird wanted to join in singing, so Wiegenlieder im All came about, a piece with both text and music by Karin Rehnqvist. Wiegenlieder im All, lullaby in outer space is written for mixed choir and the Eurasian blackcap.



Marie Sandell: Liknöjd fauna

Liknöjd fauna/Indifferent Fauna by Marie Sandell is a choral suite in five movements for solo group and mixed choir a cappella with text by the Swedish poet Aase Berg. The music is basically tonal but also contains speech choir and dramatic elements as well as occasional choreographic instructions.