For mixed choir. In the suite Villarosa Sequenses, named after one of the seven pieces, the composer uses a language of
Preview sheet music (PDF) »
”There is a voice in the melodic arches, you can see the footprint but not the foot that makes it.” With these words Thomas Jennefelt describes one of his orchestral works, Musik vid ett berg (Music by a Mountain) (1991-92). For it just so happens that this Swedish composer of choral music, operas, orchestral works and chamber music must always hear an inner voice – with or without intelligible words, in a poetical text of his own or others – to be able to create his music, be it vocal or instrumental.